]+)|)/.exec(a)||[];return{browser:b[1]||"",version:b[2]||"0"}},a.browser||(o=a.uaMatch(navigator.userAgent),p={},o.browser&&(p[o.browser]=!0,p.version=o.version),p.chrome?p.webkit=!0:p.webkit&&(p.safari=!0),a.browser=p),e(a,"browser",a.browser,"jQuery.browser is deprecated"),a.boxModel=a.support.boxModel="CSS1Compat"===document.compatMode,e(a,"boxModel",a.boxModel,"jQuery.boxModel is deprecated"),e(a.support,"boxModel",a.support.boxModel,"jQuery.support.boxModel is deprecated"),a.sub=function(){function b(a,c){return new b.fn.init(a,c)}a.extend(!0,b,this),b.superclass=this,b.fn=b.prototype=this(),b.fn.constructor=b,b.sub=this.sub,b.fn.init=function(d,e){var f=a.fn.init.call(this,d,e,c);return f instanceof b?f:b(f)},b.fn.init.prototype=b.fn;var c=b(document);return d("jQuery.sub() is deprecated"),b},a.fn.size=function(){return d("jQuery.fn.size() is deprecated; use the .length property"),this.length};var y=!1;a.swap&&a.each(["height","width","reliableMarginRight"],function(b,c){var d=a.cssHooks[c]&&a.cssHooks[c].get;d&&(a.cssHooks[c].get=function(){var a;return y=!0,a=d.apply(this,arguments),y=!1,a})}),a.swap=function(a,b,c,e){var f,g,h={};y||d("jQuery.swap() is undocumented and deprecated");for(g in b)h[g]=a.style[g],a.style[g]=b[g];f=c.apply(a,e||[]);for(g in b)a.style[g]=h[g];return f},a.ajaxSetup({converters:{"text json":a.parseJSON}});var z=a.fn.data;a.fn.data=function(b){var e,f,g=this[0];return!g||"events"!==b||1!==arguments.length||(e=a.data(g,b),f=a._data(g,b),e!==c&&e!==f||f===c)?z.apply(this,arguments):(d("Use of jQuery.fn.data('events') is deprecated"),f)};var A=/\/(java|ecma)script/i;a.clean||(a.clean=function(b,c,e,f){c=c||document,c=!c.nodeType&&c[0]||c,c=c.ownerDocument||c,d("jQuery.clean() is deprecated");var g,h,i,j,k=[];if(a.merge(k,a.buildFragment(b,c).childNodes),e)for(i=function(a){return!a.type||A.test(a.type)?f?f.push(a.parentNode?a.parentNode.removeChild(a):a):e.appendChild(a):void 0},g=0;null!=(h=k[g]);g++)a.nodeName(h,"script")&&i(h)||(e.appendChild(h),"undefined"!=typeof h.getElementsByTagName&&(j=a.grep(a.merge([],h.getElementsByTagName("script")),i),k.splice.apply(k,[g+1,0].concat(j)),g+=j.length));return k});var B=a.event.add,C=a.event.remove,D=a.event.trigger,E=a.fn.toggle,F=a.fn.live,G=a.fn.die,H=a.fn.load,I="ajaxStart|ajaxStop|ajaxSend|ajaxComplete|ajaxError|ajaxSuccess",J=new RegExp("\\b(?:"+I+")\\b"),K=/(? ((p||g.attr(u))&&(m===C&&(v+p!==g.attr(D)||g.attr(u)!==g.attr(I))||m!==C&&v+p!==g.css(j))||b)||(l=!0,g.data(c,!0),f(g,m,v,b))}l&&(o=n(o).filter(function(){return!n(this).data(c)}))}else a.autoDestroy&&r.destroy()}function f(t,e,r,o){++y;var i=function(){b("onError",t),v(),i=n.noop};b("beforeLoad",t);var l=a.attribute,s=a.srcsetAttribute,u=a.sizesAttribute,c=a.retinaAttribute,d=a.removeAttribute,f=a.loadedName,h=t.attr(c);if(o){var g=function(){d&&t.removeAttr(a.loaderAttribute),t.data(f,!0),b(T,t),setTimeout(v,1),g=n.noop};t.off(O).one(O,i).one(B,g),b(o,t,function(e){e? In 1979 Muniz enrolled in the Publicity and Advertising course at Fundao Armando lvares Penteado (FAAP) in So Paulo, and the following year he was hired by a small advertising company. Obama (from the series 'Pictures of Magazine 2') signed and dated "Vik Muniz 2012" on a label affixed on the reverse digital C-print 92 x 71 1/2 in. (t.addEventListener("DOMNodeInserted",function(){d.setWrapperHeight(t)},!1),t.addEventListener("DOMNodeRemoved",function(){d.setWrapperHeight(t)},!1)):window.attachEvent&&(t.attachEvent("onDOMNodeInserted",function(){d.setWrapperHeight(t)}),t.attachEvent("onDOMNodeRemoved",function(){d.setWrapperHeight(t)}))},update:p,unstick:function(e){return this.each(function(){for(var e=t(this),n=-1,r=o.length;r-- >0;)o[r].stickyElement.get(0)===this&&(i.call(o,r,1),n=r);-1!==n&&(e.unwrap(),e.css({width:"",position:"",top:"",float:"","z-index":""}))})}};window.addEventListener? By employing diverse materials such as toys, diamonds, garbage and magazine clippings, the artist creates tableaux, which are then photographed. https://www.state.gov. "+a.options.namespace,function(i){return function(){i.stickySidebar.css({position:"static"}),i.onScroll(i)}}(a)),"undefined"!=typeof ResizeSensor&&new ResizeSensor(a.stickySidebar[0],function(i){return function(){i.onScroll(i)}}(a))})}function n(i){var t;try{t=i[0].getBoundingClientRect().width}catch(i){}return"undefined"==typeof t&&(t=i.width()),t}var s={containerSelector:"",additionalMarginTop:0,additionalMarginBottom:0,updateSidebarHeight:!0,minWidth:0,disableOnResponsiveLayouts:!0,sidebarBehavior:"modern",defaultPosition:"relative",namespace:"TSS"};return t=i.extend(s,t),t.additionalMarginTop=parseInt(t.additionalMarginTop)||0,t.additionalMarginBottom=parseInt(t.additionalMarginBottom)||0,e(t,this),this}}(jQuery); He has personally created works of art for Prince William & Kate Middleton, His Majesty The King Charles 3rd . Muniz initially planned to paint their portraits with the garbage, but instead he worked with them to create enormous photographs of each person from materials in the dump. This major mid-career retrospective canvasses more than twenty-five years of Munizs work to transform the ordinary into the extraordinary, reminding us of the power of art to surprise, delight, and transform our perceptions of the world. The use of garbage as a material draws attention to global patterns of exploitation that produce both the waste itself and the poverty of the garbage pickers. Even though the work was a departure from Muniz's use of photography, it maintained his common theme of pinpointing the relationship between illusion and perception. After losing it, Muniz decided to undergo a process of recreation via drawing exercises. Podesta has recently donated The Best of LIFE (1989, printed 1995) by Vik Muniz (b. Vik Muniz was born on December 20th, 1961 in Sao Paulo, Brazil. Muniz says that when he takes photographs, he intuitively searches for "a vantage point that would make the picture identical to the ones in my head before Id made the works", so that his photographs match those mental images. (i.$nextArrow.addClass("slick-disabled").attr("aria-disabled","true"),i.$prevArrow.removeClass("slick-disabled").attr("aria-disabled","false")):i.currentSlide>=i.slideCount-1&&!0===i.options.centerMode&&(i.$nextArrow.addClass("slick-disabled").attr("aria-disabled","true"),i.$prevArrow.removeClass("slick-disabled").attr("aria-disabled","false")))},e.prototype.updateDots=function(){var i=this;null!==i.$dots&&(i.$dots.find("li").removeClass("slick-active").end(),i.$dots.find("li").eq(Math.floor(i.currentSlide/i.options.slidesToScroll)).addClass("slick-active"))},e.prototype.visibility=function(){var i=this;i.options.autoplay&&(document[i.hidden]?i.interrupted=!0:i.interrupted=!1)},i.fn.slick=function(){var i,t,o=this,s=arguments[0],n=Array.prototype.slice.call(arguments,1),r=o.length;for(i=0;i0&&void 0!==arguments[0]&&arguments[0];if(e&&(k=!0),k)return w=(0,y.default)(w,j),(0,b.default)(w,j.once),w},S=function(){w=(0,h.default)(),O()},_=function(){w.forEach(function(e,t){e.node.removeAttribute("data-aos"),e.node.removeAttribute("data-aos-easing"),e.node.removeAttribute("data-aos-duration"),e.node.removeAttribute("data-aos-delay")})},E=function(e){return e===!0||"mobile"===e&&p.default.mobile()||"phone"===e&&p.default.phone()||"tablet"===e&&p.default.tablet()||"function"==typeof e&&e()===!0},z=function(e){return j=i(j,e),w=(0,h.default)(),E(j.disable)||x?_():(document.querySelector("body").setAttribute("data-aos-easing",j.easing),document.querySelector("body").setAttribute("data-aos-duration",j.duration),document.querySelector("body").setAttribute("data-aos-delay",j.delay),"DOMContentLoaded"===j.startEvent&&["complete","interactive"].indexOf(document.readyState)>-1?O(!0):"load"===j.startEvent?window.addEventListener(j.startEvent,function(){O(!0)}):document.addEventListener(j.startEvent,function(){O(!0)}),window.addEventListener("resize",(0,f.default)(O,50,!0)),window.addEventListener("orientationchange",(0,f.default)(O,50,!0)),window.addEventListener("scroll",(0,u.default)(function(){(0,b.default)(w,j.once)},99)),document.addEventListener("DOMNodeRemoved",function(e){var t=e.target;t&&1===t.nodeType&&t.hasAttribute&&t.hasAttribute("data-aos")&&(0,f.default)(S,50,!0)}),(0,d.default)("[data-aos]",S),w)};e.exports={init:z,refresh:O,refreshHard:S}},function(e,t){},,,,,function(e,t){(function(t){"use strict";function n(e,t,n){function o(t){var n=b,o=v;return b=v=void 0,k=t,g=e.apply(o,n)}function r(e){return k=e,h=setTimeout(s,t),S?o(e):g}function a(e){var n=e-w,o=e-k,i=t-n;return _?j(i,y-o):i}function c(e){var n=e-w,o=e-k;return void 0===w||n>=t||n<0||_&&o>=y}function s(){var e=O();return c(e)?d(e):void(h=setTimeout(s,a(e)))}function d(e){return h=void 0,E&&b?o(e):(b=v=void 0,g)}function l(){void 0!==h&&clearTimeout(h),k=0,b=w=v=h=void 0}function p(){return void 0===h?g:d(O())}function m(){var e=O(),n=c(e);if(b=arguments,v=this,w=e,n){if(void 0===h)return r(w);if(_)return h=setTimeout(s,t),o(w)}return void 0===h&&(h=setTimeout(s,t)),g}var b,v,y,g,h,w,k=0,S=!1,_=!1,E=!0;if("function"!=typeof e)throw new TypeError(f);return t=u(t)||0,i(n)&&(S=! (h.selector=b.selector,h.context=b.context):(h.selector="string"==typeof b?b:"",b&&(h.context=b.nodeType?b:e||document)),h)},a.fn.init.prototype=a.fn,a.find=function(a){var b=Array.prototype.slice.call(arguments);if("string"==typeof a&&u.test(a))try{document.querySelector(a)}catch(c){a=a.replace(v,function(a,b,c,d){return"["+b+c+'"'+d+'"]'});try{document.querySelector(a),d("Attribute selector with '#' must be quoted: "+b[0]),b[0]=a}catch(e){d("Attribute selector with '#' was not fixed: "+b[0])}}return r.apply(this,b)};var x;for(x in r)Object.prototype.hasOwnProperty.call(r,x)&&(a.find[x]=r[x]);a.parseJSON=function(a){return a?s.apply(this,arguments):(d("jQuery.parseJSON requires a valid JSON string"),null)},a.uaMatch=function(a){a=a.toLowerCase();var b=/(chrome)[ \/]([\w. Other photographs from this series draw inspiration from a Renaissance Madonna and Jean-Franois Millet's The Sower. If you would like to request to reproduce works of art by vik muniz in any media, please contact vaga the visual artists and galleries azzociation at: Vik muniz is known for his deep exploration of visual perception and reproductive technologies, informed by the history of science and art, as well as for the extraordinary documentary about his work with the garbage pickers of rio de janeiro, waste land. Vik Muniz: Surfaces. (i("body").width()