tesa Extra Power Universal Gewebeband (Wetterfestes Reparaturband, 10 m x 50 mm), schwarz, 932575 tesa extra Power Perfect Gewebeband: Hochwertiges Reparaturband für vielfältige Klebelösungen im Außen- und Innenbereich - ideal zum Basteln, Verstärken, Reparieren und vieles … We’re going to be checking out a stereo pair. You may want to work with them in pairs, or alternatively AEA offer this mic in a stereo version, which is convenient for the likes of drum set overhead miking. That day, I acquired my third AEA mic, the R88 Mk2 stereo ribbon, and a relationship was born. We used the N8s as rear and front room mics for the kit. I liked the idea immediately. It will work great on certain instruments, especially those which don’t rely heavily on a lot of high end crispness. This is just for reference to hear the basic differences between these mics. I used Bartlett Spark and Fiddle mics and used the N8 farther out to supplement the close fiddle mic. All that detail and sense of space really makes tracks easy to place in a mix. Wir haben den Markt von Aea n8 ribbon getestet und hierbei die markantesten Unterschiede recherchiert. extended top-end as well as an extended low end which makes it sound like an Typically, I would high-pass these at 150 Hz, and do nothing else. With the compressor in bypass, the room sound was delicately clear and natural. We would then position Anne to "EQ" the guitar — to her left if we needed more bass and the opposite direction for less boom. Sonically, these mics made a huge difference in everyone's in-ear mixes, and they greatly improved the recordings that were made at festivals and TV appearances. Michael Anne Erlewine is the real deal. I also love this mic on strings! The AEA N8 is the first ribbon mic I've used that doesn't suffer from any of the typical shortcomings of most ribbons. But given the innovative design of the shockmount included with the sE4400a, I can't help but get that out of the way... Jim Williams has spent much of his 56 years working with some of the biggest names in the music business, including Frank Zappa, John McLaughlin and Stevie Wonder. Her vocals sat in the mix perfectly and had that same in-room vibe during playback. The first ribbon microphone was co-invented by Walter H. Schottky and Erwin Gerlach in the 1920s, but the first "broadcast quality" ribbon mics were designed by Dr. Harry F. Olson for RCA. The AEA N8 is great to work with and produces quality sound. This technique is tricky not only due to tonal issues, but also in terms of wear and tear. In der Absicht, dass Sie zu Hause mit Ihrem Aea n8 ribbon am Ende in allen Aspekten zufrieden sind, hat unsere Redaktion auch eine große Liste an weniger qualitativen Angebote im Test rausgeworfen. by Consordini Staff Last Updated October 24, 2019. This mic is not a one trick pony. It added this beautiful movement to the transient response that really made the drums shine on these tracks. I began using the mics' figure-8 nulls in placement to keep hats and snare out, while accentuating tom bleed. I've been extremely fortunate because most all of these have turned into long-lasting friendships. I told them I was leaving for tour the next day, so I wouldn't be able to use them right away. If you’ve enjoyed this review and would like us to review your gear, just reach out to us at the following email address: reviews@consordini.com. AEA continue their quest to modernise the ribbon mic, with this worthy addition to their new Nuvo range. I can't say enough good things about them. really. There are legends in microphone technology, and there are legends in microphone technology. That said, when it comes to the enhanced top-end sound reproduction that this mic promises – that’s not really the case. Both the N8 and N22 pairs lived in an overstuffed Pelican case, with all the other mics and claws, protected only by the Shure pouches I stuffed them in, during months of travel around the world. I used a pair of the N8s on the stereo rig of guitarist Matt "Starchild" Hagan. Remember, opening your AEA voids the warranty and we wouldn't recommend it anyways because ribbon mics in general are quite sensitive. We mic'ed the cymbals from underneath, positioning the mics' diaphragms parallel to the ground, figuring that what we sacrificed in tone was offset by what we gained in aesthetics, with no visible stands. Hallo und Herzlich Willkommen zu unserem Test. Questions about the AEA N8 Ribbon Microphone? ᐅᐅAea n8 ribbon: Die TOP Modelle im Test. The image captured was staggeringly accurate. A three-mic drum session happened off the cuff here for an auxiliary drum overdub. The N8 also shares the N22’s ribbon dimensions, transformer, and active transformerless electronics. It’s great for replicating that old-school soul sound or if you’re looking to make a few hip-hop loops. The N8 is also full range, so I don't have to pair it with another mic to capture something well. Aea n8 ribbon - Die besten Aea n8 ribbon ausführlich verglichen! So I was off on tour with a huge improvement to my mic package. We used the N8 mics in a vertical Blumlein Pair placement at the 12th fret of her guitar, about a foot away. Wir als Seitenbetreiber haben es uns zur Kernaufgabe gemacht, Produktvarianten unterschiedlichster Variante ausführlichst zu analysieren, dass Verbraucher unkompliziert den Aea n8 ribbon ausfindig machen … Aea n8 ribbon - Der absolute Testsieger unseres Teams. There are some really nice deep lows but the enhanced top-end is not as prominent as we expected. The openness of the N8 seemed to pull her voice through the signal chain in a really appealing way. The sound was absurdly sick with the Chiswick Reach on. They sound great no matter what the instrument. The results were downright captivating. He's the owner of Audio Upgrades,... Vintage King co-founder Michael Nehra shares some of his love, knowledge, and practical advice for diving into the world of vintage audio gear, and then takes us behind the scenes for a walk through... Bill Cheney and Jim Romney are the men responsible for keeping the amazing legacy of Spectra Sonics, a legendary, if criminally unheralded, pro-audio company alive. During soundcheck, I would line-check through his channels and then mute everything but the N8s, and use those as the core of my drum sound, peppering in the other channels as needed. After 30 minutes or so, I lost patience and grabbed an N8 from the drums and put a pop filter 12'' in front of it. We then moved to vocals. Herzlich Willkommen auf unserer Seite. Both Laurence Eaves (on stage monitors) and I love ribbon mics, so I surprised him with the N8s in this position, replacing the other ribbons we had been using. Something about the sheer joy of hearing top-shelf ribbon mics all day, combined with the humility of having a dude 30 years my senior take off like a demon and nearly lose me in my own city on a bicycle, really made an impression! AEA have designed a pretty cool shock mount which attaches to the N8 to help keep down any unwanted noise in the off chance of movement. Hey, my name is Ryan Earnhardt from creativesoundlab.tv and sonicscoop.com, and today we’re bringing you a review of the AEA N8 ribbon microphones. Amazon and the Amazon logo are trademarks of Amazon.com, Inc. or its affiliates. Be checking out a stereo pair Gang of Four fronted by Diamanda Galás and Robert Plant 's pot-selling runaway.... Showed up at High Bias with a trunk full of his live and... 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