But Anderson may be best known for the Avenue Q subway-inspired, puppet-fur logo, a delightfully witty image that became an indelible brand for the play. I think we woke up on his ?oor, and I ended up with his wallet. And right now as I’m typing, it can also come from just getting out of the city and staring at some trees. Sign in to participate. association with the American Conservatory Theater), The most difficult time in her career came in 2002, after her move to SpotCo, when negotiating the transition from editorial design to advertising. But growing up, she recalls, “I used to make little Jackson Five and Partridge Family magazines. I have worked with Anderson for close to 20 years as a co-author on various books, only two of which she has also designed. “Music always set the tone, and he was into low lighting, so the design room felt sort of cozy,” Anderson recalls. Anderson; Client: The Producing Office), SpotCo Broadway theater poster for Man of La Mancha, 2002 (Designer: Her credentials are too broad to list in their entirety, but here are some of the highlights: From 2002 through 2010, Gail served as Creative Director of Design at SpotCo, a New York City advertising agency that creates artwork for Broadway and institutional theater. Love getting your online blog too. Gail Anderson; Designer: Gail Anderson; Illustrator: Isabelle Dervaux; We were so serious about Design (with a capital D). Gail Anderson. I wondered who designed Spec, 16 and Tiger Beat in real life, and as I got older, I began to research what was then called 'commercial art.'”. I had no idea that the Rolling Stone job would be seminal in my career. Love they way of present the topic. Seliger); Marilyn Manson, 1997 (Art director: Fred Woodward; Designers: While some might choose to call her method retro, the work defies stylistic pigeonholing. . SVA subway posters, Anderson Newton Design, 2015, InDesign Magazine Issue 139: Adobe Bridge. Fonts.com Web Fonts is Now the Monotype Library Subscription. I’m not disciplined enough to work on my own, and I guess I just prefer the interaction and learning that comes from being part of something. Peter was long gone when the rest of us woke up in the ladies room on Saturday morning and had to return to work that afternoon for a crazy weekend special issue closing. At Veer Joe was responsible for the visual identity and content curation of the Fonts division. Ultimately, I enjoy the puzzle of problem solving, whether it’s through design or writing, or both. Anderson's first job post-college was a brief stint at Vintage Books in 1984, followed by two years at The Boston Globe Sunday Magazine, from 1985–1987. Her extreme devotion to craft (she often frets for ages over the minutest typographic detail) combined with an unceasing, though always natural, pursuit of whimsy distinguishes her brand of quirkiness from the larger pack of knee-jerk quirks. My appreciation multiplied tenfold while working for Fred Woodward at Rolling Stone for over 14 years. New Vintage Type: Classic Fonts for the Digital Age. But interestingly, when we reached out to highly respected type design aficionados New Vintage Type: Classic Fonts for the Digital Age Our stories weren’t about partying. Collection; Blog; or combine terms with Advanced Search. She’s currently creative director at Visual Arts Press and a partner at Anderson Newton Design. Under art director Ronn Campisi, the Globe was at the vanguard of new newspaper design. To celebrate our talented and diverse membership, the TDC is profiling one member each month who is selected at random. And early in her career, Gail was a designer at The Boston Globe Sunday Magazine and Vintage Books (Random House). “You approach each project searching for a dozen great ideas, not just one or two,” Anderson explains of how her work competes for the attention (and dollars) of theatergoers. David Stone), SpotCo Guthrie Theater poster for Peer Gynt, 2007 (Art director: Gail She lives in New York City. In this sense she is a generous designer who actually cares about her audience. I now completely enjoy the process, though I'm keenly aware that all but one of those dozen great ideas will eventually be killed. For its human dimension, the art for The Good Body, the Eve Ensler (The Vagina Monologues) show about women and body image, struck just the right chord with its curvy Isabelle Dervaux line drawing and two ice-cream scoops for breasts. CreativePro Week We’d stay late and critique each other’s designs, fussing over small details and wondering why everyone else didn’t work all night, too. We played arcade and video games like excited kids, and I remember thinking, this is really nice moment together. Buy New Vintage Type: Classic Fonts for the Digital Age 01 by Steven Heller, Gail Anderson (ISBN: 9780500241370) from Amazon's Book Store. Gail was kind enough to take the time out from her busy schedule to answer a few questions: How did you develop your love of and expertise with typography? Item Weight : 2.9 pounds; Hardcover : 176 pages; ISBN-10 : 0823099598; ISBN-13 : 978-0823099597; Product Dimensions : 10.2 x 0.6 x 10 inches; Publisher : Watson-Guptill; 1st Edition (October 2, 2007) Language: : English; Best-sellers rank #1,614,135 in … Everyday low prices and free delivery on eligible orders. Or another night that Fred took us out to drink tequila shots. I love a good utilitarian font family, and Trade Gothic is a reliable old pal. What was your most challenging or favorite job? Anderson; Illustrator: Alex Ostroy), New Vintage Type: Classic Fonts for the Digital Age, Steven Heller and The Boston Globe: My friends and classmates, Richard Baker and Rena Sokolow, were at the Globe at the same time I was. At Rolling Stone magazine, where she held numerous positions from 1987–2002, starting as an associate and becoming senior art director, Anderson lent her flair to much of the conceptual typography that defined the magazine's feature pages. She revels in making typography from old and new forms, which is neither modernist nor post-modernist, but rather spot-on contemporaneous. His duties also included overseeing marketing and sales support. Gail and USPS art director Antonio Alcala collaborated with Jim Sherraden of Nashville’s famed Hatch Show Print to produce the final version of the stamp, which was also made into 5000 letterpress posters. Save everything. Anderson’s work has received awards from major design organizations, including the Society of Publication Designers, the Type Directors Club, AIGA, The Art Directors Club, Graphis, Communication Arts, and Print. Gail is co-author, with Steven Heller, of Type Tells Tales as well as dozens of other titles. Disbrow), A lifelong New Yorker, Anderson embodies three virtues: inspiring art director, inspired designer and inspirational teacher. Rolling Stone magazine spreads (from top): Foo Fighters, 1995 (Art Fonts in use in artwork from “Gail Anderson” Rolling Stone magazine, “Annual Awards Issue” No. Watson-Guptill Publications, 2007 - 192 страници There’s tremendous satisfaction in seeing your work on the newsstand, in subway stations, or in a bookstore. Gail was born August 26, 1934 in St. Ignatius to Arvil and Edna Anderson. “Her significant contribution to design,” says Drew Hodges, her former classmate and current employer as founder and president of SpotCo, “is a belief in the tradition of typography and a joy in using it in a contemporary vernacular.”, Anderson developed her approach while studying at the School of Visual Arts in New York under Paula Scher. Each collaboration has been an exceptional treat. Where do you get your creative inspiration from? 07 2015. Steven Heller, Gail Anderson. Hi Ilene, Gail Anderson was commissioned by the US Postal Service to design a commemorative stamp celebrating the 150th anniversary of the signing of the Emancipation Proclamation in 2013. Fortuitously, her type, which has always seemed to move, lends itself perfectly to motion. Gail Sylvian Anderson, age 86, passed away peacefully at his home of natural causes on Monday, October 19, 2020. editorial design. Gail Anderson’s most popular book is New Vintage Type: Classic Fonts for the Digital Age. Gail Anderson is a New York-based designer, writer, and educator. Inspiration can come from my students, who are so plugged into popular culture from all over the world. And I’m able to keep my studio with my pal, Joe Newton, up and running, so I also have room to help come up with solutions for clients. And I love making suggestions and pushing people outside their comfort zones, even though I’m sure they chafe just a little when they hear me say, “What if we tried.” I can’t say I have a least favorite job (okay, I could, but I won’t). Take pictures of type on the street and on your travels. Gail Anderson is a senior designer at SpotCo and the former art director of Rolling Stone. Despite being deceptively low key, she does everything with intense passion. But I think back to my Boston Globe Sunday Magazine days and am blown away by how life-changing those two short years were. 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