Dynamic Ribbon Microphone with Figure-8 Polar Pattern; Includes Wooden Presentation Box - Nickel. Lesson learned that night: You get what you pay for. 0000065346 00000 n I plan to buy one of these and use it for recording electric guitars-will be my main microphone for this applications paired with a 57 or 609. recordings acoustic guitars- paired with a 451b or peluso p12. After recording some ukulele, I had to grab my acoustic guitar because this GREAT SOUND meant I was having GREAT FUN! The R-121 is a Sweetwater best-seller and hundreds of our customers agree that you can use it on everything from guitar amps and percussion to woodwind and acoustic instruments. Because of the R-122 MKll's faster transient response and tighter low end, engineers often choose them over R-121's for drum overheads, acoustic instruments and vocals. Incredible quality and they sound impeccable. Sweetwater's Sales Engineers are regarded as the most experienced and knowledgeable professionals in the music industry, with extensive music backgrounds and intense training on the latest products and technologies. 0000001072 00000 n We absolutely love them, and we're sure you will too. At distances of two feet and closer, the back of the Royer R-121 is brighter than the front side. I'm more hoping to use them as overheads to pick up cymbals and maybe some nice kit bleed. ROYER R-121 Ribbon-Velocity Studio Microphone The R-121 is a thoroughly modern ribbon microphone designed for today's studio and live environments, exhibiting a flat frequency response and well balanced, panoramic sound field. The R-122 is excellent for drum overheads – engineer Bruce Swedien’s favorite overhead mic setup is a pair of R-122 phantom powered ribbons. From beginners to rock stars, millions of music makers rely on our Sales Engineers' expertise to help achieve their musical goals. Zobacz inne Mikrofony, najtańsze i najlepsze oferty, opinie. When Royer Labs got their Technical Grammy in 2013, they couldn't wait to come to Sweetwater to show it off. ��CzZ+p/���jξoA�?�����i��g��B�H͢*�֙��y�m������>b�������"��"[���*Xٳ� Ƕk���ꉭ7 ��n�Eװ�. Thank you for your request. crowley and tripps naked eye versus royer 121 for guitars, overheads, etc. You cannot make these mics sound bad! The R-122 is excellent for drum overheads - engineer Bruce Swedien's favorite overhead mic setup is a pair of R-122 phantom powered ribbons. A Sweetwater Sales Engineer will get back to you shortly. I would definitely recommend ROYER just for the warranty alone. Its a pricey investment but what a combo and some. The Royer R-121 is a radically redesigned ribbon microphone and Royer's flagship product. After plugging it into a True Systems P-Solo Ribbon pre, I threw on the headphones and grabbed my ukulele. 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 �i��v 6p���}ї�M�g��ck,�`h���/{:DA�K��YU>N�hʮm��+V|>��r(�{De}�C�tu�����ӹh�'���m�†�ⱨ*��.��&/�W��)k�.CV�ܷg��ݡ�/��E�����ٮ�h_-c��p��(�a�k��/\c�t�~�g��7���E��a��/���"s�0;��2φ�A6 It's a sleek, light, extremely versatile microphone that is easy to use, wonderfully musical, and extremely sturdy. 0000002245 00000 n In the words of the Academy, these mics "were revolutionary and moved the art of recording forward.". 0000332773 00000 n If you've ever heard that incredible guitar, melodic trumpet, sweet flute, deep kick drum, (pick your sound), and found that getting that sound to tape or hard drive was impossible, you owe it to yourself to try a Royer ribbon. Here at Sweetwater, many of our Sales Engineers own and use these microphones due to their flexibility and versatility. But when it came to design time, Royer threw out the molds and took a fresh approach to ribbons using advanced materials and cutting edge construction techniques. For Omar Hakim's kit, Bruce used a pair of R-122's for overheads, an R-122 on the ride cymbal and an R-121 on high hat. Royer’s SF-series ribbon microphones combine a warm, natural sound pickup with exceptional detail, nuance and dead-flat frequency response. You can also call us toll free at (800) 222-4700, Mon-Thu 9-9, Fri 9-8, and Sat 9-7 Eastern. 0000024653 00000 n This can be extremely useful when you record acoustic guitars, vocals, and other sound sources that you may want to hear a little more top end on. Are the AEA R84's or R92's something to look at in this situation? Vocals? Hand selected from all across the globe, each brings a wealth of experience and expertise in the world of music gear. That's made it easy for the engineers at Sweetwater Studios to use Royer ribbons for close-miking amps and getting deep into drum kits and acoustic pianos. Like most ribbons, the Royer R-121's pattern is figure 8, its sensitivity is roughly equal to a good dynamic mic, and it exhibits a warm, realistic tone and flat frequency response. Customer service has some really great people. 0000001454 00000 n A Royer R-121's response is flat and well balanced; low end is deep and full without getting boomy, mids are well defined and realistic, and the high-end response is sweet and natural sounding, never edgy or sibilant. endstream endobj 35 0 obj <> endobj 36 0 obj <>/Font<>/ProcSet[/PDF/Text/ImageC]/XObject<>>>/Rotate 0/TrimBox[0.0 0.0 612.0 792.0]/Type/Page>> endobj 37 0 obj <> endobj 38 0 obj <> endobj 39 0 obj <> endobj 40 0 obj <>stream Although I don't have the Royer V series (tube ribbons), I'm pretty confident that the Millennia M-2b (tube pre) takes Royer closer into the V world. For Omar Hakim’s kit, Bruce used a pair of R-122’s for overheads, an R-122 on the ride cymbal and an R-121 on high hat. Because I have inexpensive mics and an interface of similar quality, my recordings usually require a lot of processing and frustration in search of a decent tone. Stereo SF-series mics are a go-to choice for drum overheads and are exquisite on piano and full orchestra pickup. They're a bit cheaper, so it would be nice if they could compete with the Royer 121… But the other night, I brought home a Royer R-121 ribbon mic. In this installment of our drum overhead shootout series, we put 4 of our favorite ribbon mics head-to-head: the Royer R121, the Shure KSM 313, the Coles 4038, and the AEA R84. Its ability to withstand 135 dB SPL @ 30 Hz makes it ideal for applications that were previously considered off limits I personally love them on electric cabs and for drum overheads. The R-121 is a wonderful studio must-have whether you're looking for just one microphone to do it all, or another flavor to add to your locker. Royer ribbon microphones are simply wonderful! Store Hours, If you have any questions, please call us at (800) 222-4700. They are available to offer you personalized product advice any time you need it. 0000006147 00000 n In practical terms, that means you can put your Royer R-121 directly in front of a souped-up mega-watts Marshall and turn it up to 11 without microphone distortion or doing any damage to the ribbon. Sweetwater Sound 0000006860 00000 n These boots have been on my feet going on 10 years now, 5th pair (Just got them today) Light, waterproof, warm in the winter, still comfortable in … To learn more about our cookie policy, please check our Privacy Policy. I bought a pair mainly for use as room microphones for my drums and for use on guitar amps, but they're so versatile they've really become my "desert island" microphones. Phone Hours | Happy customers, one piece of gear at a time! �9 3@���BRy�' B�D�s���Q��ȱ�K aqĈ#V�� ��F)�5䨆��L�3l\H`�����:���DvIw��gրS�j���c{m0��'FYtdh 0000006303 00000 n This website uses cookies to improve your experience. Those two pre-amps are everything I need. The R-122 is excellent for drum overheads – engineer Bruce Swedien’s favorite overhead mic setup is a pair of R-122 phantom powered ribbons. A Royer R-121 ribbon microphone hears things the way your ears hear them. One thing they impressed on us was how much our amazing relationship helped to get the word out about their products. Music background: Full Time Musician/Studio Owner. And after that test, I knew the R-121 would be a permanent part of my mic collection. Buying music gear can be complicated, but your Sweetwater Sales Engineer is here to help. 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