The work is just that good. | The transfers on both films is very good and the audio is clear. Tony Rome. He is asked by his former partner, Ralph Turpin (Robert J. Wilke), to take home a young woman who had been left unconscious in a hotel room. You must be a fan of 60's movies to like this flick. Promising blend of hard-boiled crime flick and campy detective yarn that doesn't quite go the distance. If you're a fan of Old Blue Eyes(Frank Sinatra), then you need to check out this film. H’umm. An underrated pi movie with Sinatra perfect as the not quite seedy Rome. It passes a hundred minutes more or less painlessly but that's the best you can give it. Be sure to check this out! Just a detective, who is a hard-working, hard-drinking guy who has been unlucky with dames and plays the horses and has a lot of cynical dialog. | START TV Continues My Start Story Campaign Amidst Pandemic, What Child Is This: The Enduring Legacy of Charlie Chaplin’s The Kid, NBC’s Mr. Mayor Fails to Rise to Ted Danson’s Level, Netflix's Lupin is the First Great Show of 2021. The Tony Rome persona is clearly in the tradition of the classic private detective. Regardless, Sinatra's world-weary performances were excellent--even if he seemed to try to make it look like he's not trying. The Blu-ray is limited to 3,000 units. Tony Rome is an ex-cop, current private dick who is hired by a family to find there missing jewels. One could make a case that 'Tony Rome' is the best private eye movie of the 1960s. A 'cool, daddy-o' 1960's 'Maltese Falcon' dripping with Florida sun, "Tony Rome" is a thin story about an ex-cop who works as a private investigator. Conte was good. Frank Sinatra is in cruise control for this relaxed private eye yarn of boats, girls, open-top cars and more girls. Sourced from Trustpilot . He's not the cool cat Bogart was, but he's good and he comes across. This is an interesting and very modern detective film. By Chaz Lipp, Contributor. Sinatra plays detective Tony Rome much like I would image Bogart would have had he been alive. After getting out of a rickety elevator, he tells the female operator, "Nice riiide." And what more can you really ask of a movie. But now Frank Sinatra makes a "traditional" detective movie, and Lee Marvin makes a traditional thriller ("Point Blank" (1967)), and Peter Collinson makes a traditional shocker ("The Penthouse"), and suddenly audiences can engage their intelligence in the plots again. Blu-ray Review: Tony Rome / Lady In Cement - Twilight Time Limited Edition . Tony Rome is a Miami PI who lives on a boat. Tony Rome Review. External Reviews from $82.06* 1-10 of 17 replies Sorted by « 1 2 » froglegs55. The guy Sinatra is looking for throughout the film is named Nimmo. By 1967, Sinatra was already a magnificent anachronism. | Al Says: November 22nd, 2017 at 2:18 am. View credits, reviews, tracks and shop for the 1967 Vinyl release of Tony Rome on Discogs. Oakland must have been working somewhere every day of the 60's and 70's. Even if it's not the most exciting thriller of its decade or anything, I would still recommend "Tony Rome" to any Frank Sinatra / mystery fans. A movie similar in tone, but done much better is Paul Newman's "Harper." Sinatra is no Bogart, which won't come as news, and "Tony Rome" is no "The Maltese Falcon." Level Contributor . 110 minutes. But, the film's major flaw is its length and its emphasis on characters introduced late in the film, which makes the viewer confused, having to deal with so many interested parties in "the case of the missing jewelry," and of whom the viewer has not invested any interest in. Directed by: Gordon Douglas. 1 year ago. After returning her to her father, she discovered that her diamond pin in nowhere to be found. This is one breezy film. Jill St. John begins as an independent, smart character, just like her more famous role in the Bond outing "Diamonds Are Forever"; the (welcome) difference is that in "Tony Rome" she stays that way to the end. Tony Rome and Lady in Cement were released in 1967 and 1968, respectively, when the counterculture was gaining brief prominence in pop culture, which is to say that Sinatra’s unconquerable heteronormative white he-man shtick (which had less to do with any particular performance than with a cumulative image) might have been wearing thin. 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