» Input SPL @ 1% THD: 130 dB SPL (1kHz @ 1% THD, 600 ? GO! The perfect location recording mic. Specifications do not mean everything. The new design of the acoustic tube looks advanced and should provide better frequency response to the microphone. In our next application test, we gave a documentary filmmaker the NTG5 to test in her studio and on location. © 2020 All rights reserved. » Active Electronics: RF-bias demodulation The NTG5 features some noteworthy advances in the crowded shotgun market, which merits attention and praise. » Weight: 76g. At just 76g, it’s very lightweight compared to other shotgun microphones, as well as quite diminutive in length at 203mm. Our reviewers all mentioned the NTG5’s build quality, which most felt is “a high-water mark for the [Australian] company.” Indeed, RØDE’s manufacturing abilities have matured over the course of their history and the NTG5 demonstrates that they are able to exceed more expensive options in the RØDE portfolio, namely the NTG3. Although, three of our testers found the cable to be “suddenly quite thin where it attaches to the microphone,” the cable “worked as advertised” and eliminated “wear and tear on the NTG5’s rear XLR connection…a good idea.” It also comes with the RM5 Microphone Clip, a standard, non-shock mount for static stands, and a small vinyl carrying case. Less weight also means that mics positioned on top of tall stands are less affected by extraneous factors, which can cause adverse sonic artifacts and quality issues. Also in the capital of music, he established himself as a sound engineer for classical and jazz music as well as FOH engineer for live concerts. The focus of my test was the off-axis coloration of sound, and how the microphone works on a real film set. The NTG5’s design was directly influenced by RØDE’s other recent microphone, the TF5, developed with Tony Faulkner, a noted recording engineer from the UK. The NTG5 is a boom operator’s dream, weighing a mere 76g and measuring just over 20cm, making it ideal for use on long, demanding shoots. After many tests and the comparison to Sennheiser MKH-8060, both looking at the build quality and the sound quality, the RØDE NTG5 Microphone a real no-brainer in its price range. PLUS use Waves promo code “CK901” for an additional 10%! But there’s also a kind of “industry standard” for sound, which is what you hear every day from TV and in the cinema. Now, coming to the most important part: sound! As mentioned previously, the NTG5 comes with a lot of nice accessories that you’ll end up paying extra for when considering another brand. All these accessories are well built, feel very robust in the hand, and I found that they can even handle some extreme situations. » Power Requirements: 2 mA @ 48V phantom power Tong Zhang is a freelance sound engineer based in Vienna. It’s great to see RØDE pushing the envelop on the technology, value-proposition and price point for their new NTG5 shotgun microphone. From paper, the RØDE NTG5 and Sennheiser MKH-8060 have both 25Ohm output impedance as they both are RF Condenser Microphones. Back to our RØDE NTG5 review: through the years, RØDE has established their microphones in the entry- and mid-level market. He works as a location sound recordist, sound editor, and sound designer for film and TV projects. Thanks for your comments. Even from psychoacoustic, the human ear can not hear the 1dB difference, but this tiny difference may make the RØDE NTG5 even work better in some extreme situations. Therefore, you will mostly see Sennheiser, Schoeps, DPA or RØDE microphones chosen by audio professionals and filmmakers, for two reasons: first, people in audio postproduction are much more familiar with the sound of these microphones and know much better how to deal with them. The Sennheiser MKH-8060 is the latest member of the legendary MKH family. » Acoustic Principle: RF-bias condenser » Output Impedance: 25 Ω Up to 80% off all Waves Bundles. Furthermore, the current consumption of RØDE NTG5 is 2mA at 48V Phantom Power, which is 1.3mA less than the Sennheiser MKH8060. Cheers, Paul. And because of the high sensitivity and short body design, the microphone is very wind sensitive. If you are shooting outdoors, you need to have some good wind protection (the foam windscreen is only enough for indoor situations, but as there’s a RØDE WS10 Furry Windshield included in the package, no need to worry in this point). | A Media-Star Destination. No spam, guaranteed! Compared to the NTG3, the NTG5 is much shorter and lighter. Lee esta reseña en español RØDE recently debuted the NTG5 shotgun microphone and we evaluated it for three different applications, field recording, concert recording and video production. The mic features a new capsule design with a perforated vent as well as RF-bias technology, which make the microphone “moisture resistant,” showcased in our concert recorders observations above. RØDE claims this acoustic design provides “a more natural, uncolored sound.” While there are many factors that determine a microphone’s openness and air, our field recording specialist did note the NTG5 felt “expansive, yet detailed” in his wildlife recordings, which support RØDE’s profile. It weighs only 76g, that’s almost half the weight of NTG3. This redu… Rounding out the wealth of accessories is the aforementioned Dead Cat and a basic foam wind/pop screen. » Equivalent Noise: 10 dB SPL (A-weighted, as per IEC651) Cheers, Tong. The new NTG5 in its black coating looks very robust, it feels very good in the hand and well built. “Funny enough, I ended up encountering really poor recording conditions, including rain and gusty wind when testing the NTG5’s at an amphitheater in addition to my regular rig (Sound Devices MixPre-10, custom 15′ stand, matched Neumann KMR 81 i MT’s —Ed.). Hi, Paul. Sound is a very subjective judgment, and everyone has their definition of “natural-sounding” or “warm sounding” microphone. The Maximum Sound Pressure Level of the RØDE NTG5 is 130dB SPL, which is 1 dB more than the Sennheiser MKH-8060, and the Noise Floor of the RØDE NTG5 is 10dB SPL (A-Weighted), which is 1 dB less than the Sennheiser MKH-8060. Second, the ear of the audience is much more trained for the sound from these microphones. This was confirmed by our live concert tester who welcomed the form factor (as well as the Dead Cat accessory) during a recent recording. Plugging in your cable is firm with a tight grip and a positive snap. Tell us what’s your experience with the RØDE NTG5 and other RØDE microphones. The weather called for simply cloudy skies, but a squall came in, which sent the tapers scrambling to ditch their rigs, including myself. Considering I was the only one left with mics in the air, I received a lot of questioning looks. In the Box is also a pistol grip shock mount and an XLR cable with “connbox” design, a simple microphone clip mount, a foam windshield, a WS10 “softie” style windshield, and a small pouch bag to protect the mic from transport. These factors make the NTG5 seem too good to be true, so we took a closer look. cinema5D GmbH, Kranzgasse 22/9-10, A-1150 Vienna, Austria, FilmConvert Profile for Sony a7S III Released, Fixed! RØDE’s NTG5 costs $499 and is available now. As I was considering using the Rode NTG5 as a backup and on-camera microphone for my Sennheiser MKH-8060, I tested the RØDE NTG5 side by side with my Sennheiser MKH-8060, both in the studio and in the field. Whilst Zoom make good recorders, I would have expected you to use something like a Sound Devices MixPre for this test. */, Copyright FutureMusic All Rights Reserved. After the big success of RØDE NTG3 Shotgun Microphone, Rode has challenged themselves for smaller and more affordable, and here it is – read our RØDE NTG5 review. The polymer pistol grip features dual Rycote Lyre mounts to provide isolation from any handling vibrations and comes with RØDE’s PG2-R Pro Cable that snakes through the pistol grip and attaches to the back of the NTG5. To be honest, my interest on this mic was to test if it’s good enough to be used as a professional camera mic, as back up mic for my Sennheiser MKH8060, or even as second boom mic parallel to MKH8060, So the NTG3 was not in my consideration, but from the sound samples what I have heard, the NTG5 sounds much closer to Sennheiser MKH8060 than to the NTG3, it’s much more neutral. What do you think about our NTG5 review? One of RØDE’s weaknesses, which has plagued some of their large-diaphragm condensers in the past, is the XLR connection housing. However, after listening to both recordings in my studio, I was pretty amazed how well the NTG5’s handled the adverse conditions, as well as the quality of the recording, considering the circumstances.” Our evaluator did comment on the flat bass response of the NTG5’s, “compared to the fuller Neumann’s.” He was able to sweeten the low end in post, but would have welcomed a bit more “presence” and “thickness.” That said, he did add that he would rather “enhance the low frequencies, instead of contending with a muddy bottom” when recording live music.   Rode Test I loaded the NTG5 into its handgrip suspension, fitted the WS10 windshield, cabled it into my trusty Sound Devices MP-2 portable mic preamp, slipped on the standard Sennheiser HD-25-1 ii headphones and went for a walkabout 'interviewing' my unsuspecting neighbours. Their microphones my Sennheiser MKH 8060 was lightweight, but left the RØDE VideoMic NTG the. 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